Ustaad Bhagat Singh is less a film and more, a lazily constructed vehicle for star worship and political signalling, one that quickly wears out its welcome for anyone outside Pawan Kalyan's core fanbase, observes Sreeju Sudhakaran.
From Following to Oppenheimer, here's why Christopher Nolan remains cinema's greatest modern blockbuster auteur.
After a powerful and restrained performance in Unnaipol Oruvan, Ganesh Venkataraman is back with Selva's new Tamil film Muriyadi.
'For a community of people that love cinema as much as you guys do here, this will be one of those moments you'll be comparing every cinema experience you have after this one to The Odyssey.'
After S S Rajamouli's Varanasi, Priyanka Chopra will be seen in Hrithik Roshan's Krrish 4.
With no emotionally powerful moment or even a standout epic sequence, everything about Supergirl feels strictly functional, observes Mayur Sanap.
Long before Rehman Dakait made the Internet swoon, Akshaye Khanna had already mastered the art of stealing the show from the dark side.
Before Welcome to the Jungle, here's a look at the movies where Akshay Kumar tried to entertain us in double roles.
This is also the time when South Indian films started doing well, commercially and critically, on a Pan-India scale.
At The Odyssey's Mumbai press conference with Christopher Nolan and the cast.
'There were certain groups who were trying to plant negative reports against the film on social media, right after the first show.' Nivin Pauly opens up about the hate campaign against his film Action Hero Biju.
Long before Alpha, Bollywood had been retelling the Ramayana in modern settings, sometimes subtly and sometimes not so subtly.
Satluj is a chilling reminder of what happens when a state is allowed to become judge, jury and executioner, asserts Sreeju Sudhakaran.
By taking one of the oldest stories and finding new meaning within it, Christopher Nolan has created the most timely film of his career, asserts Mayur Sanap.
Kattalan tries to roar like Marco with blood-soaked violence and mass swagger, but ends up as a noisy, identity-less actioner with little bite.
Gen Z protesters are using memes, music, and sarcastic humour on social media platforms like Instagram and X to demand Union Education Minister Dharmendra Pradhan's resignation over the NEET question paper leak and other examination irregularities.
Sunny Deol and Ameesha Patel reunite to celebrate 25 years of the Bollywood blockbuster Gadar: Ek Prem Katha.
From Mohanlal's commanding act in Company to Dulquer Salmaan's chilling turn in Chup, these Malayalam stars proved they could shine far beyond Mollywood.
From Mollywood Times to Mohiniyattam, these black comedies from South Cinema prove that the darkest humour can also deliver the sharpest entertainment.
As Curry Barker's Obsession arrives on OTT this week, Sreeju Sudhakaran revisits the chilling psychological horror film about the terrifying implications of a man's desire to control a woman's affections.
Explore Bollywood's fascination with wild, untamed settings, from the comedic antics of Welcome To The Jungle to the intense dramas and romances set amidst lush forests, showcasing how these natural backdrops shape diverse cinematic narratives.
A look at Malayalam movies releasing in January.
Despite its intriguing premise, Uyir never quite cracks the mystery, relying instead on emotional drama to deliver its final blow.
From October to Saiyaara, these Hindi love stories proved that romance still has the power to break hearts, move audiences and create box office magic in the age of violent cinema.
Karuppu begins with a striking idea of God battling a broken justice system, only to turn into a routine Suriya mass spectacle.
Everything is over the top -- the style, the violence, the action. So nothing else matters, not gravity, bullets, or the presence of stalwarts like Naseeruddin Shah, observes Mayur Sanap.
'If there is one motto in my family, it is to make people laugh. My father only wants to make people laugh.'
'Singhasan ke shoot ke din aaj bhi yaad hain... Nature ke beech, colourful costumes, heavy jewellery aur uss zamane ki grand sets ki vibe hi kuch aur thi.'
Prashanth Neel's Dragon promises a sprawling mass action spectacle with its gritty world-building, intriguing historical backstory, and Jr NTR's ferocious transformation as 'Luger'.
As questions were raised over several censor board members having BJP links, its new chief Pahlaj Nihalani, a film maker, on Tuesday said he was proud to be a "BJP person" and called Prime Minister Narendra Modi as his "action hero".
'If we had not passed an order against Ranveer Singh, the film industry would have collapsed.'
Welcome To The Jungle's moment of truth arrives when Akshay pleads 'Hum sab bhand hain' in the face of fear and power. If only the rest of this slog was as self-aware as this single scene, notes Sukanya Verma.
From Manavalan to Kannan Srank, a tribute to the unforgettable Salim Kumar who made generations of Malayalis laugh with his signature humour.
From Bandit Queen to Dhurandhar, these Indian films pushed cinematic violence to shocking, stomach-churning extremes.
As Priyanka Chopra Jonas returns as the debonair spy Nadia in Citadel Season 2, we take look at how her Hollywood projects stack up against each other from underwhelming to standout.
The Madras High Court acknowledged the existence of corruption within the judiciary while dismissing a PIL seeking a ban on the Tamil film 'Karuppu'. The court emphasised the need for introspection and improvement within the judicial system, stating that judges are not exempt from criticism.
Rather than wasting time on rhetoric, emotions and drama, if Aakhri Sawal had engaged in a serious debate with more controversial questions and stronger arguments to counter them, it would have enriched the viewer as well as lifted the discourse, observes Utkarsh Mishra.
The Tamil actor is all ready to shed his romantic image with his latest film Modhi Vilayadu.
Kara had the makings of a fine heist thriller anchored by a superlative Dhanush, but a slack screenplay in crucial stretches and an overdose of melodrama ensure it only works in patches, observes Sreeju Sudhakaran.
